Gallery wrapped prints have the canvas wrapped around wood stretcher bars and are ready to hang. We offer several different stretcher bar depths to meet your needs. All gallery wrapped canvases are hand-sprayed with an archival UV coating of your choice and come with a wired back.
Rolled canvas prints are flat canvases that are not wrapped around stretcher bars. Ideal for shipping to clients who would rather save on postage costs and have canvases wrapped at their locale, or if you are going to mount the canvas to board or another substrate. Hand-sprayed with an archival UV coating of your choice.
Each of the matte smooth papers we offer has little to no texture, making them perfect for a wide range of imagery as they provide a blank canvas, as it were, to show off your artwork. Papers come in a variety of brightness and thickness to meet your needs. We suggest a heavier weight paper when making limited edition prints.
Ideal for watercolors, pastels, and charcoal imagery, our matte textured papers so perfectly mimic ‘real’ watercolor paper that it’s nearly impossible to tell that your print is a reproduction. We offer papers ranging from moderately to heavily textured to meet your needs.
These papers bring a slight sheen to your imagery and work very well with portraiture and landscape photography. They range from smooth, pearlized surfaces to moderately textured gloss surfaces that highlight saturated colors and high contrast black and white images. Our satin and pearl papers have the least reflective properties, while luster and baryta papers are glossier.
Our Baryta papers offer an amazing old school look and feel of a traditional silver print. Very reminiscent of early 20th and mid-century photographic papers, these Baryta papers are made with a special coating of barium sulfate that is used with photographs developed in a traditional darkroom. The textured, glossy surface adds loads of depth and offers some of the best color pop for your imagery.
Truly unique, these metallic papers add depth and brilliance to your imagery. The metallic pearl has a soft, smooth pearlized surface while the metallic silver will enhance any blue tones in your print. Metallic papers don’t work for all images, however, so you may want to talk to us prior to placing an order.
Gloss papers most closely resemble photographs that are printed in traditional darkrooms. The highly reflective, resin-coated surface allows your imagery to pop - especially high contrast and black and white photography. Best for times when you need your colors to be deeply saturated and sharp.
Fine art printing for artists, photographers, galleries, and creative professionals — from original artwork capture to finished archival print.
Start with your artwork or file. We’ll point you toward the right next step.
Need a high-quality reproduction of a painting, drawing, or mixed-media piece?
START WITH ORIGINAL ARTWORK →Already have a photograph, scan, or finished file? Start with file preparation and print planning.
START WITH A DIGITAL FILE →Not sure about size, paper, canvas, proofing, or what to do next? We’ll help you sort it out.
I NEED GUIDANCE →Compare papers and canvases by finish, texture, weight, and intended use. If you don't know what you need, the guided selector is the best place to start.
Paper and canvas look different in person. Feel the surfaces and see the finishes before choosing.
GET YOUR SAMPLES →You don't need to know the name of the paper. Start with how you want your finished artwork to look.
You don't need to understand color management, ICC profiles, file preparation, or printing technology. We guide the work from artwork or file through proofing and production.
Bring us your original artwork or send us your digital file.
We establish the file, size, borders, and appropriate material.
Use a physical proof to verify color, detail, contrast, and surface before production.
Your approved work is produced consistently and can ship directly to your customer.
A strong reproduction starts with a strong digital capture. We photograph paintings, drawings, mixed media, and other physical originals in a controlled studio environment.
Accurate color, tonal range, surface texture, brushwork, and fine detail all begin with the source image. Capture is part of the reproduction process, not a separate afterthought.
START WITH ORIGINAL ARTWORK →Once an artwork is established, Craft Giclée can become the production side of your studio.
Approved production files are retained so future prints can be produced from the same established file.
VIEW PRICING →Order additional prints as needed, from single pieces to larger production runs.
SEE THE PROCESS →We can produce, package, and ship finished work directly to your customer without Craft Giclée branding.
EXPLORE DROP SHIPPING →Choose the paper or canvas product and enter the finished dimensions to see the exact print price. Quantity pricing is available where applicable.
VIEW PRICING →A physical proof lets you evaluate color, detail, contrast, and the chosen material before committing to final production.
TIFF is preferred, although high-quality JPEG files are accepted. RGB files with an embedded profile such as Adobe RGB (1998) or sRGB are recommended. Approximately 300–355 PPI at the intended print size is a good target.
Don't guess. Use the Paper & Canvas Selector, order free samples, or tell us what you're printing and what you want the finished piece to look and feel like.
Proofing is recommended when color accuracy, contrast, detail, or material choice is important. A physical proof shows you how the artwork behaves on the actual paper or canvas before final production.
Yes. Artist accounts can use white-label fulfillment so finished work can ship directly to collectors without Craft Giclée branding.
Tell us what you're working with and what you're trying to accomplish. We'll help you figure out the next step.
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