Gallery wrapped prints have the canvas wrapped around wood stretcher bars and are ready to hang. We offer several different stretcher bar depths to meet your needs. All gallery wrapped canvases are hand-sprayed with an archival UV coating of your choice and come with a wired back.
Rolled canvas prints are flat canvases that are not wrapped around stretcher bars. Ideal for shipping to clients who would rather save on postage costs and have canvases wrapped at their locale, or if you are going to mount the canvas to board or another substrate. Hand-sprayed with an archival UV coating of your choice.
Each of the matte smooth papers we offer has little to no texture, making them perfect for a wide range of imagery as they provide a blank canvas, as it were, to show off your artwork. Papers come in a variety of brightness and thickness to meet your needs. We suggest a heavier weight paper when making limited edition prints.
Ideal for watercolors, pastels, and charcoal imagery, our matte textured papers so perfectly mimic ‘real’ watercolor paper that it’s nearly impossible to tell that your print is a reproduction. We offer papers ranging from moderately to heavily textured to meet your needs.
These papers bring a slight sheen to your imagery and work very well with portraiture and landscape photography. They range from smooth, pearlized surfaces to moderately textured gloss surfaces that highlight saturated colors and high contrast black and white images. Our satin and pearl papers have the least reflective properties, while luster and baryta papers are glossier.
Our Baryta papers offer an amazing old school look and feel of a traditional silver print. Very reminiscent of early 20th and mid-century photographic papers, these Baryta papers are made with a special coating of barium sulfate that is used with photographs developed in a traditional darkroom. The textured, glossy surface adds loads of depth and offers some of the best color pop for your imagery.
Truly unique, these metallic papers add depth and brilliance to your imagery. The metallic pearl has a soft, smooth pearlized surface while the metallic silver will enhance any blue tones in your print. Metallic papers don’t work for all images, however, so you may want to talk to us prior to placing an order.
Gloss papers most closely resemble photographs that are printed in traditional darkrooms. The highly reflective, resin-coated surface allows your imagery to pop - especially high contrast and black and white photography. Best for times when you need your colors to be deeply saturated and sharp.
Every fine art reproduction begins with understanding the work itself. Whether you're an artist, photographer, illustrator, digital artist, gallery, or creative professional, we build the production approach around the image—not the other way around.
A controlled workflow helps protect the qualities that matter in your work—from color and tonal relationships to fine detail, surface character, proportions, and presentation.
Every project begins with understanding what you're reproducing, how the finished print will be used, and what needs to be preserved. A single exhibition print may require a different approach from a limited edition, gallery release, collector order, or collection that will be reproduced for years.
Before production begins, we determine what the project requires and identify anything that could affect the finished reproduction.
BEFORE PRODUCTION
If we identify concerns involving resolution, proportions, color settings, material selection, print size, or other production requirements, we contact you before printing.
When your work exists as a physical original, the reproduction file becomes the foundation for every reproduction that follows. Accurate capture is therefore one of the most important steps in the entire process.
Craft Giclée uses a Fujifilm GFX100 II medium-format camera system with professional Broncolor lighting in a controlled studio environment. The capture approach is adjusted according to the artwork rather than forcing every original through the same setup.
ARTWORK CAPTURE
The completed reproduction file can become the foundation for fine art prints, limited editions, exhibitions, gallery reproduction, future production, and digital archiving.
ARTWORK CAPTURE →Whether we created the reproduction file or you supplied the file, the image is reviewed and prepared within a color-managed production workflow before it reaches the printer.
We review the image for technical suitability at the intended print size and address anything that could compromise the finished result. Once approved, the production file is prepared for the selected paper or canvas.
MATERIAL MATTERS
The selected paper or canvas affects color, contrast, detail, texture, and the visual character of the final reproduction.
PAPERS & CANVASES →Every paper and canvas has its own characteristics. A physical proof gives you an opportunity to evaluate the image on the actual selected material before committing to final production.
A proof is a small color-adjusted print produced on the selected paper or canvas. It allows the image and material to be evaluated together before the final production run.
WHEN IT MAKES SENSE
Exhibition pieces, limited editions, new materials, difficult images, and projects where color or presentation is critical can benefit from a physical proof before production.
PROOFING & APPROVAL →Once the image and production requirements are approved, the project moves into final printing using professional pigment-based technology and archival fine art papers or artist-grade canvas.
Craft Giclée specializes in archival digital fine art printing using Canon imagePROGRAF PRO printers with LUCIA PRO pigment-based inks.
THE FINISHED PRINT
Paper and canvas are selected according to the artwork's characteristics, surface appearance, color requirements, display conditions, and intended presentation.
EXPLORE MATERIALS →For artists, photographers, galleries, and creative professionals, the first approved production file can become the foundation for future prints. That means the work does not have to be reinvented every time it is ordered.
A properly prepared production file can support individual prints, limited editions, exhibitions, gallery releases, collector orders, and ongoing collections.
FOR PROFESSIONALS
Once the file, material, size, and production approach are established, future orders can follow the same specifications for greater consistency.
GETTING STARTED →For artists, photographers, galleries, and creative businesses selling prints to clients, production can continue through packaging, shipping, and direct-to-client fulfillment.
Once a production file and material specifications are established, repeat orders can move through the same controlled workflow and, when needed, continue directly into fulfillment.
FOR SELLING ARTISTS & PROFESSIONALS
Drop shipping extends the same production workflow through packaging and delivery, allowing you to focus on your artwork, clients, and sales.
DROP SHIPPING →Every project begins with understanding what you're reproducing, how the finished print will be used, and what needs to be preserved. A single exhibition print may require a different approach from a limited edition, gallery release, collector order, or collection that will be reproduced for years.
Before production begins, we determine what the project requires and identify anything that could affect the finished reproduction.
BEFORE PRODUCTION
If we identify concerns involving resolution, proportions, color settings, material selection, print size, or other production requirements, we contact you before printing.
When your work exists as a physical original, the reproduction file becomes the foundation for every reproduction that follows. Accurate capture is therefore one of the most important steps in the entire process.
Craft Giclée uses a Fujifilm GFX100 II medium-format camera system with professional Broncolor lighting in a controlled studio environment. The capture approach is adjusted according to the artwork rather than forcing every original through the same setup.
ARTWORK CAPTURE
The completed reproduction file can become the foundation for fine art prints, limited editions, exhibitions, gallery reproduction, future production, and digital archiving.
ARTWORK CAPTURE →Whether we created the reproduction file or you supplied the file, the image is reviewed and prepared within a color-managed production workflow before it reaches the printer.
We review the image for technical suitability at the intended print size and address anything that could compromise the finished result. Once approved, the production file is prepared for the selected paper or canvas.
MATERIAL MATTERS
The selected paper or canvas affects color, contrast, detail, texture, and the visual character of the final reproduction.
PAPERS & CANVASES →Every paper and canvas has its own characteristics. A physical proof gives you an opportunity to evaluate the image on the actual selected material before committing to final production.
A proof is a small color-adjusted print produced on the selected paper or canvas. It allows the image and material to be evaluated together before the final production run.
WHEN IT MAKES SENSE
Exhibition pieces, limited editions, new materials, difficult images, and projects where color or presentation is critical can benefit from a physical proof before production.
PROOFING & APPROVAL →Once the image and production requirements are approved, the project moves into final printing using professional pigment-based technology and archival fine art papers or artist-grade canvas.
Craft Giclée specializes in archival digital fine art printing using Canon imagePROGRAF PRO printers with LUCIA PRO pigment-based inks.
THE FINISHED PRINT
Paper and canvas are selected according to the artwork's characteristics, surface appearance, color requirements, display conditions, and intended presentation.
EXPLORE MATERIALS →For artists, photographers, galleries, and creative professionals, the first approved production file can become the foundation for future prints. That means the work does not have to be reinvented every time it is ordered.
A properly prepared production file can support individual prints, limited editions, exhibitions, gallery releases, collector orders, and ongoing collections.
FOR PROFESSIONALS
Once the file, material, size, and production approach are established, future orders can follow the same specifications for greater consistency.
GETTING STARTED →For artists, photographers, galleries, and creative businesses selling prints to clients, production can continue through packaging, shipping, and direct-to-client fulfillment.
Once a production file and material specifications are established, repeat orders can move through the same controlled workflow and, when needed, continue directly into fulfillment.
FOR SELLING ARTISTS & PROFESSIONALS
Drop shipping extends the same production workflow through packaging and delivery, allowing you to focus on your artwork, clients, and sales.
DROP SHIPPING →Good production starts with catching problems early. If something needs attention, we would rather discuss it with you before it becomes a finished print.
We review the project for conditions that could affect the finished result. These may involve file preparation, image resolution, color settings, artwork proportions, material selection, print size, or special production requirements.
When something requires attention, we contact you before printing to explain the concern and discuss the available options.
This communication is an important part of the process. Addressing issues early helps prevent unnecessary delays, reprints, and unexpected results.
OUR APPROACH
If we see something that could materially affect your finished print, we'll bring it to your attention before production rather than simply making the print and hoping for the best.
The workflow changes according to the work, but the goal remains the same: make a reproduction that respects the original image and can be produced consistently.
Professional artwork capture creates the high-resolution digital foundation used for accurate reproduction and future production.
We'll review the file, evaluate its suitability for the intended print, and identify anything that should be addressed before production.
You don't need to know every technical detail before you begin. Bring us your artwork, your file, or your questions and we'll help determine the appropriate next step.
|
Uploaded
Failed
|
 |
