OUR PROCESS

FROM ARTWORKTO PRINT.

We start with the artwork or file, determine what the job requires, and carry it through preparation, proofing, printing, and fulfillment.

Illustration for Our Process.
01 · THE PROCESS

HOW YOUR WORK BECOMES A PRINT.

Seven steps keep the work controlled from source to finished print.

01 · REVIEW & PRODUCTION PLANNING

START WITH THE WORK.

We start with the artwork, how the print will be used, and what needs to stay true to the original.

NO ONE-SIZE-FITS-ALL WORKFLOW. We adjust the workflow to the artwork, material, size, and intended use.

WHAT WE CONSIDER

Before production, we identify anything that could affect the finished print.

  • Original artwork or existing digital file
  • Desired print size and image proportions
  • Artwork medium, surface, and visual characteristics
  • Paper or canvas and intended presentation
  • Quantity, edition, exhibition, or collection requirements
  • Future reproduction and consistency requirements

BEFORE PRODUCTION

WE LOOK FOR PROBLEMS BEFORE THEY BECOME PRINTS.

If resolution, proportions, color settings, material, or size could cause a problem, we contact you before printing.

02 · PROFESSIONAL ARTWORK CAPTURE

CREATE THE REPRODUCTION FILE.

If the work is physical, we photograph it to create the high-resolution source file used for printing.

CAPTURE IS MORE THAN TAKING A PICTURE. Lighting, texture, reflection, color, detail, and tonal range all affect the capture setup.

BUILT AROUND THE ORIGINAL

We use a Fujifilm GFX100 II medium-format camera with Broncolor lighting in a controlled studio. The setup is adjusted to the artwork.

  • Paintings, drawings, and illustration
  • Watercolor and works on paper
  • Photography and photographic originals
  • Mixed-media artwork
  • Textured and reflective surfaces
  • Other two-dimensional fine art originals

ARTWORK CAPTURE

TURN THE ORIGINAL INTO A RELIABLE REPRODUCTION FILE.

The completed file can be used for prints, editions, exhibitions, future orders, and digital archiving.

ARTWORK CAPTURE →
03 · ARTWORK & FILE PREPARATION

PREPARE THE IMAGE FOR PRINT.

Whether we created the file or you supplied it, we review and prepare it before printing.

THE FILE HAS TO BE RIGHT BEFORE THE PRINTER EVER SEES IT. Resolution, dimensions, color information, proportions, and material all affect the result.

FILE REVIEW & PRODUCTION PREPARATION

We review the file at the intended print size and address anything that could compromise the result. The approved file is then prepared for the selected paper or canvas.

RESOLUTION We check that the file has enough image information for the intended size.
COLOR We review color settings and embedded profiles.
PROPORTIONS We confirm proportions and dimensions to avoid unwanted cropping or distortion.
PRODUCTION FILE The prepared file is used for proofing, printing, and future reorders.

MATERIAL MATTERS

THE FILE AND THE SURFACE WORK TOGETHER.

Paper and canvas affect color, contrast, detail, texture, and the overall look of the print.

PAPERS & CANVASES →
04 · PROOFING & COLOR ACCURACY

SEE THE PRINT BEFORE THE PRINT RUN.

A physical proof shows how the image prints on the selected paper or canvas before final production.

PROOFING CREATES A REFERENCE. We keep the approved file as the reference for future orders on that material.

WHAT A PROOF HELPS EVALUATE

The proof lets you evaluate the image and material together before the final run.

  • Color balance and relationships
  • Contrast and tonal range
  • Shadow and highlight detail
  • Overall image appearance
  • Surface and material characteristics
  • Whether further adjustments are appropriate

WHEN IT MAKES SENSE

PROOFING IS ESPECIALLY VALUABLE FOR IMPORTANT WORK.

Proofing is especially useful for new work, editions, exhibitions, difficult images, or any job where color or material matters.

PROOFING & APPROVAL →
05 · ARCHIVAL PRINTING & PRODUCTION

PRODUCE THE FINISHED REPRODUCTION.

After approval, we print with pigment inks on archival fine art papers or artist-grade canvas.

CONSISTENCY MATTERS. The goal is a reliable result that can be repeated when you need another print.

ARCHIVAL DIGITAL FINE ART PRINTING

We print with Canon imagePROGRAF PRO printers and LUCIA PRO pigment inks.

  • Color-managed production
  • Professional pigment-based printing technology
  • Fine image detail and smooth tonal transitions
  • Archival fine art papers and artist-grade canvas
  • Quality inspection before packaging
  • Repeatable production for future orders

THE FINISHED PRINT

THE MATERIAL IS PART OF THE IMAGE.

We choose paper or canvas based on the artwork, the desired surface, and how the finished piece will be presented.

EXPLORE MATERIALS →
06 · LIMITED EDITIONS & ONGOING PRODUCTION

BUILD A REPEATABLE PRINT.

Once the file, material, and print setup are approved, future orders can follow the same specifications.

THE GOAL IS CONSISTENCY OVER TIME. Future orders can use the same approved file and material specifications.

USE THE WORK AGAIN.

The approved file can support single prints, editions, exhibitions, gallery releases, collector orders, and ongoing collections.

  • Limited editions
  • Gallery and exhibition releases
  • Collector orders
  • Artist inventory
  • Ongoing collections
  • Future reorders and production runs

FOR PROFESSIONALS

REORDERS SHOULD MATCH THE APPROVED PRINT.

Established files, materials, and sizes make reorders more consistent.

GETTING STARTED →
07 · FULFILLMENT & DROP SHIPPING

DELIVER THE FINISHED WORK.

We can carry the job through packaging, shipping, and direct-to-client fulfillment.

YOUR PRODUCTION PARTNER CAN STAY BEHIND THE SCENES. We can print, inspect, package, and ship finished work directly to your client.

FROM ORDER TO DELIVERY

Repeat orders can follow the same approved setup and move directly into fulfillment when needed.

  • Direct-to-client drop shipping
  • Professional packaging and quality review
  • White-label fulfillment for professional accounts
  • Tracking through your Craft Giclée account
  • Support for ongoing collections and repeat orders
  • Limited-edition fulfillment workflows

FOR SELLING ARTISTS & PROFESSIONALS

WE CAN HANDLE WHAT HAPPENS AFTER PRINTING.

Drop shipping lets us handle production, packaging, and delivery while you handle the client relationship.

DROP SHIPPING →
01 · REVIEW & PRODUCTION PLANNING

START WITH THE WORK.

We start with the artwork, how the print will be used, and what needs to stay true to the original.

NO ONE-SIZE-FITS-ALL WORKFLOW. We adjust the workflow to the artwork, material, size, and intended use.

WHAT WE CONSIDER

Before production, we identify anything that could affect the finished print.

  • Original artwork or existing digital file
  • Desired print size and image proportions
  • Artwork medium, surface, and visual characteristics
  • Paper or canvas and intended presentation
  • Quantity, edition, exhibition, or collection requirements
  • Future reproduction and consistency requirements

BEFORE PRODUCTION

WE LOOK FOR PROBLEMS BEFORE THEY BECOME PRINTS.

If resolution, proportions, color settings, material, or size could cause a problem, we contact you before printing.

02 · PROFESSIONAL ARTWORK CAPTURE

CREATE THE REPRODUCTION FILE.

If the work is physical, we photograph it to create the high-resolution source file used for printing.

CAPTURE IS MORE THAN TAKING A PICTURE. Lighting, texture, reflection, color, detail, and tonal range all affect the capture setup.

BUILT AROUND THE ORIGINAL

We use a Fujifilm GFX100 II medium-format camera with Broncolor lighting in a controlled studio. The setup is adjusted to the artwork.

  • Paintings, drawings, and illustration
  • Watercolor and works on paper
  • Photography and photographic originals
  • Mixed-media artwork
  • Textured and reflective surfaces
  • Other two-dimensional fine art originals

ARTWORK CAPTURE

TURN THE ORIGINAL INTO A RELIABLE REPRODUCTION FILE.

The completed file can be used for prints, editions, exhibitions, future orders, and digital archiving.

ARTWORK CAPTURE →
03 · ARTWORK & FILE PREPARATION

PREPARE THE IMAGE FOR PRINT.

Whether we created the file or you supplied it, we review and prepare it before printing.

THE FILE HAS TO BE RIGHT BEFORE THE PRINTER EVER SEES IT. Resolution, dimensions, color information, proportions, and material all affect the result.

FILE REVIEW & PRODUCTION PREPARATION

We review the file at the intended print size and address anything that could compromise the result. The approved file is then prepared for the selected paper or canvas.

RESOLUTION We check that the file has enough image information for the intended size.
COLOR We review color settings and embedded profiles.
PROPORTIONS We confirm proportions and dimensions to avoid unwanted cropping or distortion.
PRODUCTION FILE The prepared file is used for proofing, printing, and future reorders.

MATERIAL MATTERS

THE FILE AND THE SURFACE WORK TOGETHER.

Paper and canvas affect color, contrast, detail, texture, and the overall look of the print.

PAPERS & CANVASES →
04 · PROOFING & COLOR ACCURACY

SEE THE PRINT BEFORE THE PRINT RUN.

A physical proof shows how the image prints on the selected paper or canvas before final production.

PROOFING CREATES A REFERENCE. We keep the approved file as the reference for future orders on that material.

WHAT A PROOF HELPS EVALUATE

The proof lets you evaluate the image and material together before the final run.

  • Color balance and relationships
  • Contrast and tonal range
  • Shadow and highlight detail
  • Overall image appearance
  • Surface and material characteristics
  • Whether further adjustments are appropriate

WHEN IT MAKES SENSE

PROOFING IS ESPECIALLY VALUABLE FOR IMPORTANT WORK.

Proofing is especially useful for new work, editions, exhibitions, difficult images, or any job where color or material matters.

PROOFING & APPROVAL →
05 · ARCHIVAL PRINTING & PRODUCTION

PRODUCE THE FINISHED REPRODUCTION.

After approval, we print with pigment inks on archival fine art papers or artist-grade canvas.

CONSISTENCY MATTERS. The goal is a reliable result that can be repeated when you need another print.

ARCHIVAL DIGITAL FINE ART PRINTING

We print with Canon imagePROGRAF PRO printers and LUCIA PRO pigment inks.

  • Color-managed production
  • Professional pigment-based printing technology
  • Fine image detail and smooth tonal transitions
  • Archival fine art papers and artist-grade canvas
  • Quality inspection before packaging
  • Repeatable production for future orders

THE FINISHED PRINT

THE MATERIAL IS PART OF THE IMAGE.

We choose paper or canvas based on the artwork, the desired surface, and how the finished piece will be presented.

EXPLORE MATERIALS →
06 · LIMITED EDITIONS & ONGOING PRODUCTION

BUILD A REPEATABLE PRINT.

Once the file, material, and print setup are approved, future orders can follow the same specifications.

THE GOAL IS CONSISTENCY OVER TIME. Future orders can use the same approved file and material specifications.

USE THE WORK AGAIN.

The approved file can support single prints, editions, exhibitions, gallery releases, collector orders, and ongoing collections.

  • Limited editions
  • Gallery and exhibition releases
  • Collector orders
  • Artist inventory
  • Ongoing collections
  • Future reorders and production runs

FOR PROFESSIONALS

REORDERS SHOULD MATCH THE APPROVED PRINT.

Established files, materials, and sizes make reorders more consistent.

GETTING STARTED →
07 · FULFILLMENT & DROP SHIPPING

DELIVER THE FINISHED WORK.

We can carry the job through packaging, shipping, and direct-to-client fulfillment.

YOUR PRODUCTION PARTNER CAN STAY BEHIND THE SCENES. We can print, inspect, package, and ship finished work directly to your client.

FROM ORDER TO DELIVERY

Repeat orders can follow the same approved setup and move directly into fulfillment when needed.

  • Direct-to-client drop shipping
  • Professional packaging and quality review
  • White-label fulfillment for professional accounts
  • Tracking through your Craft Giclée account
  • Support for ongoing collections and repeat orders
  • Limited-edition fulfillment workflows

FOR SELLING ARTISTS & PROFESSIONALS

WE CAN HANDLE WHAT HAPPENS AFTER PRINTING.

Drop shipping lets us handle production, packaging, and delivery while you handle the client relationship.

DROP SHIPPING →
02 · COMMUNICATION

WE TALK BEFORE WE PRINT.

We look for problems early and talk with you before they become finished prints.

BEFORE AN ORDER ENTERS PRODUCTION

We review files, resolution, color settings, proportions, material, size, and any special production requirements.

If something needs attention, we contact you before printing and explain the options.

Catching issues early helps avoid delays, reprints, and surprises.

OUR APPROACH

NO SURPRISES IF WE CAN HELP IT.

If we see something that could affect the finished print, we bring it to your attention before production.

03 · WHO THIS PROCESS IS FOR

MADE FOR IMAGE-MAKERS.

The workflow changes with the work. The goal stays the same: a strong print that can be reproduced consistently.

FINE ARTISTS Original paintings, drawings, watercolors, and mixed-media work that need capture and printing.
PHOTOGRAPHERS Photography that needs careful material, color, and presentation choices.
ILLUSTRATORS Illustration and works on paper where line, color, texture, and detail matter.
DIGITAL ARTISTS Digital artwork that needs file review, material selection, proofing, and repeat production.
MIXED-MEDIA ARTISTS Complex originals with materials, textures, and surfaces that need careful capture.
GALLERIES & CREATIVE PROFESSIONALS Exhibitions, collections, editions, gallery releases, collector orders, and ongoing production.

CREATE THE DIGITAL MASTER FIRST.

Artwork capture creates the high-resolution file used for printing and future orders.

START WITH THE BEST FILE YOU HAVE.

We’ll review the file at the intended size and flag anything that needs attention.

READY TO SEE WHAT YOUR PROJECT NEEDS?

Bring us the artwork, the file, or the question. We’ll help determine the next step.

GETTING STARTED →